The Three Shareholder Of The Western Fashion World Is The Wind.

< p > has not yet waked up from Tang Feng's rhyme. Time is like a turn on the stage of T. It suddenly came to the modern age. In November 3, 1893, the invitation of the day long Festival dinner was marked: "women's dress is a Chinese dress. If there is any inconvenience, please don't wear white Jin dress; men's dress is a tuxedo".

It can be seen that hundreds of years ago, the ethnic group advocating "chrysanthemum and knife" and dual personality began to be influenced by western style of dress.

In nineteenth Century, Japan opened the door to Europe through the United States, France and the United Kingdom of World Expo. The decoration style of Dongyang sent Japanese doctrine at that time, which made it write a strong and heavy color in the modern fashion change.

In 1930s, influenced by kimono, Jeanne Lanvin's wide sleeved short jacket or Paul Poiret's V collar borrowed traditional kimono elements.

Unlike the wartime spirit of chrysanthemum and cherry blossoms in the war years, when the western high fashion creators represented by Chanel and Charles Worth applied the designs and colors of Japanese chrysanthemums and Japanese fabrics to personal design, Madeleine Vionnet was inspired by the simplicity of kimono modeling and traditional crafts, and Japan and Paris had already formed an indissoluble bond. It also showed that the western design in the fashion world would dominate the world and be eventually broken by a certain force.

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< p > the three carriages of Japanese Fashion: Lssey Miyake, Yamamoto Teruji, Chuan Jiu Bao Ling < /p >.

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< p > Lssey Miyake < /p >

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< p > he designs in an unstructured mode, breaks away from the western traditional modeling mode, and uses deep counter thinking to create ideas.

It is the expression of this mysterious oriental culture that endows the work with magical charm.

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< p > Yamamoto Teruji < /p >.

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< p > is a riddle of Oriental calm and meticulous character. He is famous for his simple and charming style, fluent lines and anti fashion design. He is famous for his men's wear.

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< p > Chuan Jiu Bao Ling < /p >.

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< p > she is world-famous for her asymmetrical and curved avant-garde design. Her original style combines the concept of East and West and is known as the "alternative designer" by the clothing industry.

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< p > pilgrimage or dispel doubts? Anyway, they came to < /p >.

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< p > the so-called "history" is always connected by a number of opportunities. The process is very similar, and several of them and several stories can become the title of the catalogue chapter, which is the gateway of development and the highlight of mankind.

When KENZO first stood on the land of Paris and looked up to the moment of western fashion civilization, he was frozen and dressed in the ranks of the world's fashion masters.

He is like a fighter sent by God to liberate the human body, riding on the ark of the kimono, bringing new design ideas to Paris.

In the key to clothing, Mr. Wei sang said: relatively speaking, Japan's clothing space will be much more abundant. They are not stingy at all. The kimono is just using the human body as a hanger, rarely considering the human body curve. This concept is just opposite to Western Europe.

This tells us very clearly that even the most Europeanized Japanese designer like KENZO, the first thing that brought Paris to the eastern countryside of the west, is far greater than the European essence of his pursuit.

Although today's Japanese youth are more advocating European fashion, this is the effect of the East Asian turmoil that began more than 40 years ago.

Kenzo's local printing, Lssey Miyake's wrinkle fabric, Mori Yinghui's butterfly and bluegrass pattern, holding the mysterious oriental elements, made the Paris fashion's stereotyped sexy pattern blows straight away, even though the Westerners could not comprehend the connotation of those fashions until now, but it did not affect them to pay for these great designs.

A large number of cotton cloth, straight line cut, primary collocation, unique style are all the contributions of KENZO to the world fashion. What's the good of his clothes? In his interview, he carelessly recalled one of the key points: a dinner party, a young man wearing a plain white shirt, wearing a bow tie, and wearing a pair of loose beach shorts, from a distance, he was the most elegant.

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< p > whether it is KENZO, Lssey Miyake, or Yamamoto Teruji and Wakubo Rei, Japanese designers are challenging Paris's fashion concept with subversive fashion ideas. Paris's mature fashion system attracts them deeply, like magnets, and the fashion wisdom of East Japan is flourishing on this holy land.

The current situation makes heroes, makes heroes, finds out their position in the world's fashion discourse power, and the East and West can win together.

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< p > the world is at first. The east wind is less than /p.

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< p > Eastern culture to the western world is like Zhang Ziyi in the Memoirs of a Geisha, wearing a kimono and a red lips, charming, mysterious and forgettable.

Japanese fashion designers have nourished the glamour of rain and rain in Paris's fashion stage for decades in the tradition of helping others. Not only did Prada change the geisha line in the 2013 spring and summer series, but even Lanvin's little fat Elbaz lifted the banner of "deconstructing classicism", and put the kimono wide belt out of a bow to strike a new way of "smoking and kimono". This series of skillful manipulation of Japanese printing skills expresses the French art form of abstract structure.

I don't know whether Elbaz has been truly pmitted by any Japanese master, and he strongly expressed the collision of cultural symbols in fashion language, creating a unique style of Dongfeng for today's fashion stage.

In the same style, we also see in Haider Ackermann's model that the unique gorgeous colors, layered and elegant outline of the fashion make people see the shadow of the three houses and Yamamoto, and once again pay attention to the sense of hierarchy that the waist belt and waist dress adorn the fashion. As a cry to salute 70s through the world fashion tunnel, the echo must be a Zen Zen machine with a Japanese accent.

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< p > as Prada designer Miuccia said, "a lot of things have become the past, and fashion is the best way to recall the good old days."

When we redesign the Japanese design in the world fashion system, its significance is not to let the younger generation revisit the flashy Japanese design. It is not just to remember the great gods of those Japanese fashions. It is not dogmatic local designers who bow to their knees in the powerful world. I just want to remind the Chinese and even the design forces of all nationalities to stick to the importance of being integrated into others' systems, and to retain their own radiance.

KENZO never thought that Pisante would end up with Kenzo. Lssey Miyake never took Guy Laroche or Givenchy as the ultimate dream, otherwise there would be no "Japanese design" today's resurgence.

I also expect the east wind to awaken the Chinese wind. The world fashion cycle can not be without yellow skin. < /p >